[Chorus: Emeli Sandé] I wanna sing, I wanna shout I wanna scream 'til the words dry out So put it in all of the papers, I’m not afraid They can read all about it, read all about it, oh [Verse 1 Read all about it, oh Oh-oh-oh Oh-oh-oh Oh-oh-oh Oh-oh-oh Oh-oh-oh Oh-oh-oh I wanna sing, I wanna shout I wanna scream ’til the words dry out So put it in all of the papers, I’m not afraid They can read all about it Read all about it, oh _____ “Read All About It’” is a song by Scottish recording artist Emeli Sandé, from her debut Emeli Sandé - Read All About It (Instrumental Version) · Tribute StarsProfessor Green fea Provided to YouTube by The Orchard EnterprisesProfessor Green feat. Music video for Emeli Sande's "Read All About it: Part 3" , produced as part of my A2 Media coursework. Shot on location in Sunderland, Tyne and Wear. We sho So put it in all of the papers I'm not afraid They can read all about it Read all about it, no oh Oh oh oh Oh oh oh Oh oh oh Oh oh oh Oh oh oh Oh oh oh At night we're waking up the neighbors While we sing away the blues Making sure that we're remembered, yeah 'Cause we all matter too If the truth has been forbidden Then we're breaking all the rules pada abad keberapa teknik sulam terkenal di indonesia. Read All About It (Part III) by Emeli Sande You've got the words to change a nation but you're biting your tongue You've spent a life time stuck in silence afraid you'll say something wrong If no one ever hears it how we gonna learn your song So come on ,come on Come on, come on You've got a heart as loud as lions So why let your voice be tamed? Maybe we're a little different there's no need to be ashamed You've got the light to fight the shadows so stop hiding it away Come on, Come on I wanna sing, I wanna shout I wanna scream till the words dry out so put it in all of the papers, i'm not afraid they can read all about it read all about it oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh At night we're waking up the neighbours while we sing away the blues making sure that we remember yeah cause we all matter too if the truth has been forbidden then we're breaking all the rules so come on, come on come on, come on, lets get the tv and the radio to play our tune again its 'bout time we got some airplay of our version of events there's no need to be afraid I will sing with you my friend Come on, come on I wanna sing, I wanna shout I wanna scream till the words dry out so put it in all of the papers, I'm not afraid they can read all about it read all about it oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh Yeah we're all wonderful, wonderful people so when did we all get so fearful? Now we're finally finding our voices so take a chance, come help me sing this Yeah we're all wonderful, wonderful people so when did we all get so fearful? and now we're finally finding our voices so take a chance, come help me sing this I wanna sing, I wanna shout I wanna scream till the words dry out so put it in all of the papers, I'm not afraid they can read all about it read all about it oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh oh-oh-oh I wanna sing, I wanna shout I wanna scream till the words dry out so put it in all of the papers, I'm not afraid they can read all about it read all about it oh.... The form of a work refers to how the work is presented to an audience in order to deliver a specific message. In dealing with the song "Read All About It" by Emeli Sande, the first two main verses each contain 14 lines, while the chorus contains 12 lines, therefore we easily notice that the verses are equal in length. As for syllable counts in these lines there is no major repetition of lines containing the same syllable count, and furthermore the song has a wide range of syllable counts between lines, with some being significantly longer than others. Also, this song is a clear example of open form poetry because of these lines in varying length. Along with this, we notice that although the song has no distinguished rhyme scheme there are cases where the ending words of lines rhyme with other ending words. This includes the lines, "... sing away the blues" (stanza 3), and, "... we all matter too" (stanza 3). This can also be found in stanza 1 with the endings wrong and song, and tamed and ashamed. In dealing with poetic syntax this song is seen as having little to no punctuation and can be classified as enjambed. Finally the poem contains major emphasis of certain lines by using repetition, such lines as the refrain, "Come on, come on" are repeated throughout the song as a way of connecting to the audience by reinforcing that the speaker wants other people to take her advice and join him or her. This song has an incredible amount amount of stylistic elements that are commonly present in numerous literary works including songs. First of all, the speaker in the song really has no defined gender mainly due to the fact that the subject matter is able to be addressed to either a male or a female. Although we cannot formally conclude the gender of the speaker, we can notice that the speaker is very persuasive, and encouraging, as they want other people to join in with them in expressing their ideas to the world and letting their voices be heard loud and clear. They use phrases, "So why let your voice be tamed?", and "So stop hiding it away," to further inform people that it's okay to be yourself and let others see who you are. The speaker could possibly be someone who used to be quiet and very kept to themselves, but once they let their voice be heard and lost their fear of expressing themselves, has experienced great success and greater opportunities. The speaker is more likely at least age 30 as they seem to be speaking from past experiences that occurred over a longer period of time as seen in the line, "... spent a lifetime in silence." In dealing with another element, the tone of the lyrics, is one of great optimism as the central idea is based upon how we need to let others hear our ideas and opinions in order to move forward and achieve great things in life. The line, "There's no need to be afraid," is clearly building upon this tone, as it reassures the audience that we have nothing to worry about in expressing ourselves, and that there are no consequences to our actions of being who we really are. The speaker is optimistic about what's to come as long as we quite simply be ourselves and let go of what's holding us back. Other poetic elements in the song are simile as seen in the line, "A heart as loud as lions," which compares our inner abilities and foundations to that of a lions commanding roar. Hyperbole can be noticed in the line, "I wanna scream till the words dry out, " which is a massive exaggeration that is indicating that the speaker wants to express themselves as loud as they can until they can no longer talk which is clearly not possible. Finally alliteration can be seen in the line, "You've spent a lifetime stuck in silence afraid you'll say something wrong," which contains numerous words in close proximity to each other that begin with the same constant 's' sound. These elements provide the song with a greater ability to get the main message across to its audience. I will admit that I have listened to many genres of music in my time and this particular song is associated with a genre I normally don't listen to. In this case though I really enjoy this song, simply because of its relevance to not just modern times but throughout history, and its ability to become associated with all walks of life from all areas of the globe. Currently we are in a world full of elections from municipal to federal, civil wars, and issues surrounding freedom of the public in developing countries. In each example we see people who are having difficulty with expressing themselves honestly, and truly being who they are. We see in the Middle East people who are now making their voices heard after decades of struggle and conflict. We see musical artists exposing themselves beyond what was normal years ago, as they want to have their voices heard. We see it in technology, fashion, and literature. Essentially its everywhere, people are letting their ideas be free, allowing them to grow and develop, and letting them influence others as they read or view them. We can't let external forces get in the way of our self-expression, we simply need to ignore everything working against us, and lose that fear of being heard. So all in all I do like this song, it encourages you to scream out what you have held inside for so long, because really where would we be today if people never let go of the fear of letting their voice be heard. Albert Einstein, Martin Luther King Jr., Alfred Hitchcock, where would science, social acceptance, and the art of film be today if these people had kept quiet and not pursue their ideas. This song tells us that we cannot worry about how people will perceive us if we be who we are, and it can be interpreted that the only thing holding us back is ourselves, and until we let go of our personal restraints who knows what we can achieve. This song is fully titled "Read All About It Part III" meaning that indeed it is a remake of a previous song who bears the same title. Emeli Sande wrote her own personal interpretation of the original song after working with the original artist, and in fact her version is significantly different from the original. One key thing is that the central idea of the original was still kept in tack when this song was written. [ti:Read All About ] [ar:Emeli Sandé] [al:Our Version of Events (Special] [00: All About It, Pt. III - Emeli Sande [00: [00: got the words to change a nation [00: you're biting your tongue [00: spent a life time stuck in silence [00: you'll say something wrong [00: [00: no one ever hears it how we gonna learn your song [00: come on come on [00: [00: on come on [00: got a heart as loud as lions [00: why let your voice be tamed [00: we're a little different [00: no need to be ashamed [00: got the light to fight the shadows [00: stop hiding it away [00: [00: on Come on [00: [00: wanna sing I wanna shout [01: [01: wanna scream till the words dry out [01: [01: put it in all of the papers [01: not afraid [01: can read all about it [01: all about it oh [01: [01: [01: [01: [01: [01: [01: [01: night we're waking up the neighbours [01: we sing away the blues [01: sure that we remember yeah [01: we all matter too [01: the truth has been forbidden [01: we're breaking all the rules [01: come on come on [01: [01: on come on [01: get the tv and the radio [01: play our tune again [02: 'bout time we got some airplay of our version of events [02: no need to be afraid [02: will sing with you my friend [02: on come on [02: wanna sing I wanna shout [02: [02: wanna scream till the words dry out [02: [02: put it in all of the papers [02: not afraid [02: can read all about it [02: all about it oh [02: [02: [02: [02: [02: [02: [02: [02: [02: [02: we're all wonderful wonderful people [03: [03: when did we all get so fearful [03: [03: we're finally finding our voices [03: [03: take a chance come help me sing this [03: we're all wonderful wonderful people [03: [03: when did we all get so fearful [03: [03: now we're finally finding our voices [03: [03: take a chance come help me sing this [03: wanna sing I wanna shout [03: [03: wanna scream till the words dry out [03: [03: put it in all of the papers [03: not afraid [03: can read all about it [03: all about it oh [03: [03: [03: [04: [04: [04: [04: [04: [04: [04: wanna sing I wanna shout [04: [04: wanna scream till the words dry out [04: [04: put it in all of the papers [04: not afraid [04: [04: can read all about it [04: all about it oh Aż kilkanaście piosenek Emeli Sande wskazali Polacy jako swoje ulubione. Najczęściej jednak wymieniana była kompozycja „Read All About It”. Jest szansa na usłyszenie tego i innych utworów na żywo, bowiem już 22 lutego brytyjska artystka roku 2017 wystąpi po raz pierwszy w Polsce. Jej koncert zaplanowano w prestiżowym ICE Kraków Congress Centre. Agencja Prestige MJM, organizator koncertu Emeli Sandé w Krakowie ogłosił zabawę na ulubioną piosenkę artystki. Wśród utworów, wskazanych w sondzie na fanpage'u Prestige MJM na Facebook'u, były różne tytuły. Niektórym osobom trudno było wymieć jeden, więc pisały o dwóch, trzech, czy nawet całej liście piosenek, jakie chciałyby wysłuchać podczas pierwszego koncertu Emeli Sande w Polsce. Jeden jednak pojawiał się najczęściej i było to „Read All About It”. Inne popularne utwory piosenkarki to „My Kind of Love”, „Hurts”, „Clown”, „Beneath You Beautiful”. „Next To Me”, czy „Daddy”. Artystka jest autorką tekstów do wszystkich swoich utworów. I tu odkrywcza nie jest, obraca się bowiem wokół tematów dobrze sprzedających się w piosenkach, a więc: tęsknoty za ukochanym, zdrady, poszukiwaniu miłości, wolności, dzieciństwa, nadziei i odrzucenia. Czasami porusza jednak ważne kwestie dotyczące takich wartości, jak szacunek dla drugiego człowieka i dla siebie oraz akceptacji. Osoby, które wskazywały utwory Emeli Sande, jakie chciałyby usłyszeć podczas zbliżającego koncertu, często cytowały całe fragmenty tekstów artystki. Niektóre uzasadnienia dla konkretnych piosenek okazały się bardzo ciekawe. - Emeli i "Clown" to walka o siebie i własne Ja, o własne ideały, które wyniosło się od rodziców i dają solidne fundamenty, by nie stać się kolejnym trybikiem w tej machinie... - pisze pan Łukasz. Inny „fejsbukowicz” - pan Dominik - wskazuje na utwór "Breathing Underwater": Piosenka w doskonały sposób opisuje walkę ludzi o ich wolność (…) Bardzo ważną kwestią jest szacunek dla drugiego człowieka, Emeli bardzo pięknie ujęła to w tekście tej piosenki. Nie ma znaczenia kim jesteś, skąd pochodzisz i co czujesz. Ważne, że codziennie pokazujesz, że jesteś dobry w sercu, a nie ma znaczenia skąd jesteś. Myślę, że to niezła dawka nauki o szacunku, która musi zabrzmieć w naszym kraju. To, że piosenka "Read All About It" jest prawdziwa i dotyczy wszystkich, zwraca uwagę pani Joanna z Krakowa. Swą myśl rozwinęła tak: Czyż nie jest tak, że często nie ujawniamy naszych myśli przez strach, że nie zostaniemy zrozumiani albo wręcz że nas wyśmieją? Emeli śpiewa, że każdy z nas jest ważny, każdy jest trochę inny, ale przecież to nic złego i nie powinniśmy chować się przed ludźmi. Dlatego ta piosenka do mnie tak mocno przemawia - trzeba walczyć ze swoim strachem i nieśmiałością. Pani Krystyna z Poznania, pisze, że jej ulubioną piosenkę jest „Daddy”. Oto jej uzasadnienie: Uwielbiam ją z dwóch względów – po pierwsze niesamowicie głęboki tekst i bardzo emocjonująca muzyka, powodująca często ciarki na plecach. Po drugie – genialny teledysk, który pokazuje całą prawdę o naszym życiu. Że często dokonujemy złych wyborów, że zdarza nam się balansować na krawędzi ryzyka, wreszcie, że często nie jesteśmy sobą w tym, co robimy. Piosenki Emeli Sandé są melodyjne i emocjonalne, w większości też utrzymane w spokojnym klimacie i nie brakuje w nich odniesień do życia samej piosenkarki. Nic dziwnego że kilku jej fanów nie potrafiło wskazać jednego, konkretnego utworu, do czego przyznała się pani Monika, która stwierdza: We wszystkich jej piosenkach jest wrażliwość oraz ogromne emocje, które przekazuje nam jak wiele przeżyła sama Emeli.. Emeli Sandé zaśpiewa już 22 lutego w Sali Audytoryjnej ICE Kraków Congress Centre. Jest więc duża szansa na spełnienie muzycznych marzeń jej polskich fanów. Bilety na wydarzenie można kupować za pośrednictwem stron oraz a także w salonach Empik w całym kraju. Koncert organizuje agencja Prestige MJM. tłumaczenie na słoweńskisłoweński/angielski A A Poleg mene Ne boste ga našli kako pije pod mizami Meče kocke in je zunaj do treh Nikoli ga ne boste našli, da je nezvest Našli ga boste, našli ga boste poleg meneNe boste ga našli kako preganja hudiča Za denar, slavo, moč, iz žalosti Nikoli ga ne boste našli tam, kamor gredo drugi Našli ga boste, našli ga boste poleg menePoleg mene, ooooh Poleg mene, ooooh Poleg mene, ooooh Našli ga boste, našli ga boste poleg meneKo pride konec in stavbe hitro padajo Ko pokvarimo zemljo in izsušimo celo morje Ko vsi okoli naju izgubijo glave Ga boste našli, ga boste našli poleg meneNikoli v življenju nisem spoznala nikogar kot je on Njegova ljubezen do mene me je odpihnila Če se kdaj sprašujete kje ga boste našli Ga boste našli, ga boste našli poleg menePoleg mene, ooooh Poleg mene, ooooh Poleg mene, ooooh Našli ga boste, našli ga boste poleg meneKo je denar porabljen in so vsi moji prijatelji izginili In izgleda, da ne morem zastonj najti pomoči ali ljubezni Vem, da mi ni treba paničariti Ker ga bom našla, ga bom našla poleg sebeKo je nebo sivo in se vsa vrata zapirajo In je zaradi naraščajočega pritiska težko dihati Je vse, kar potrebujem, roka, da ustavi solze preden padejo Našla ga bom, našla ga bom poleg sebePoleg mene, ooooh Poleg mene, ooooh Poleg mene, ooooh Našli ga boste, našli ga boste poleg menePoleg mene, ooooh Poleg mene, ooooh Poleg mene, ooooh Našli ga boste, našli ga boste poleg mene angielski angielskiangielski Next To Me Click here to download on iTunes 'Read All About It' (ft Emeli Sandé) is taken from Pro Green's second album 'At Your Inconvenience' out now Professor Green's brand new album 'Growing Up In Public' is released on September 21st 2014. Pre-order now and get 'Not Your Man' instantly: Music video by Professor Green performing Read All About It (feat. Emeli Sande). (C) 2011 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 2011 EMI Records Ltd Pokaż więcej Ukryj Dodano: 03-04-2012 14:29 (0 głosów) Emeli Sandé - Read All About It (pt III) [Lyrics On Screen] 9 lat temu • 1,036 wyświetleń Inne Stefan Biniak - The Read All About It Bootleg 7 lat temu • 912 wyświetleń Inne Emeli Sandé - Read All About It (Stefan Biniak Bootleg) 9 lat temu • 803 wyświetleń Inne Juliana Pasha - It's All About You (Albania) 12 lat temu • 2,003 wyświetleń Inne Oferta powitalna dla nowych klientów MyCall rok temu • 410 wyświetleń Inne 10 Fun Facts About Norway 7 lat temu • 2,506 wyświetleń Inne Professor Green - Remedy ft. Ruth Anne 10 lat temu • 753 wyświetleń Inne Labrinth - Beneath Your Beautiful ft. 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emeli sandé read all about it tłumaczenie